I'm going to come clean - I have only ever read one book by Neil Gaiman prior to
The Ocean at the End of the Lane.
As a lover of the fantasy genre I realise how shocking this is, but I
have been somewhat preoccupied with my paranormal romance for the last
few years and when I was a teenager it was all chick lit and classics
that I read. So, when I picked up Gaiman's new book my only point of
reference was
Stardust, which I thoroughly enjoyed, and a couple of episodes of
Doctor Who (I know lots of people had issues with 'Nightmare in Silver' but I quite liked it).
I
must admit the blurb on the inside flap did pique my curiosity.
Everything was so vague - 'our narrator' (what's his name?), 'dark
forces' (ooh, what are they?) - it made me want to start reading right
away to discover what the heck this was all about. We never do actually
learn what the name of the narrator is, which could have had an
alienating effect, but actually didn't. In fact, I'd say that the
anonymity of the narrator actually makes the narrative seem more real
and immediate because you feel as if you are the narrator (barring, of
course, the fact that I am not a seven-year-old boy). It adds a
strangely personal feel to the whole book, which makes the events in it
all the more potent.
The narrator may be recalling his childhood,
but do not make the mistake of thinking this is a children's book. This
is definitely an adult novel. Actually reading it while writing my
dissertation and researching crossover fiction was a bit of a lucky
coincidence because this book made me question the whole idea of
adulthood and childhood. I think it's probably a standard trope in
fiction by now, but seeing the events through a child's eyes you realise
that children see things much more clearly than adults do. This novel
does make you question the idea of reality and of memory - how much of
what we recall from childhood is true and how much is fantasy
constructed through snippets of memories? This is the question at the
heart of
The Ocean at the End of the Lane and it left me pondering my own memories of childhood.
"Everything whispered inside me. Everything spoke to everything, and I knew it all."
Gaiman's
writing is subtle but effective. I was honestly terrified at certain
points in this book. Ursula Monkton is quite possibly one of the
scariest villains I've ever come across in fiction. Perhaps it was
because we saw her through a child's eyes and children see horrors in
much starker terms than adults do, but every time she appeared I
shuddered with fear and revulsion. Without giving too much away, I have
never been a big fan of birds, especially crows and their ilk, and after
reading this book I like them even less. There is plenty in here to
provide your imagination with fodder for nightmares! As well as being
scary, the narrative has emotional heart too. The friendship between the
narrator and Lettie Hempstock is both sweet and touching. The Hempstock
women make a wonderful family unit and demonstrate that female
characters in fantasy can be strong and resilient.
The Ocean at the End of the Lane
is a mesmerizing tale, one that captures your imagination and sweeps
you along. To be honest, I didn't think initially I was going to enjoy
it, but as I kept reading on it started to enthrall me. Gaiman plays on
the notion of imagination and fantasy in an expert way, and while the
action is resolved, like our narrator, the conclusion leaves us with
some unanswered questions. Far from leaving us unsatisfied, however, you
are left with a sense of contentment, accepting that, much like in
life, we will never hold all the answers. Truth is a hazy concept and
each individual will have a different perception if what is true and
what is false. In essence, this is a novel about fantasy
itself. Neil Gaiman, you are something of a genius. I promise to find time to read the rest of your work now!
